Asami Ike on the passage of time, and on the devotion and love that dogs feel and bring into the lives of their humans.
Dogs are all end up to be a dusty dog. Dogs’ dust consists of pride of themselves and that of you. The film is of the memory, love and gratitude of the dusty dog, and many other dogs, tracing their senses and memories, dedicating to you who gave love to them.
Related animation: Asami Ike’s USAWaltz.
Shaggy Lawn Mowers - Paris Tries an Eco-Friendly Way of Maintaining Park Lawns… the New York Times reports on a sustainable idea:
Mayor Bertrand Delanoë has made the environment a priority since his election in 2001, with popular bike- and car-sharing programs, an expanded network of designated lanes for bicycles and buses, and an enormous project to pedestrianize the banks along much of the Seine.
The sheep, which are to mow (and, not inconsequentially, fertilize) an airy half-acre patch in the 19th Arrondissement are intended in the same spirit. City Hall refers to the project as “eco-grazing,” and it notes that the four ewes will prevent the use of noisy, gas-guzzling mowers and cut down on the use of herbicides.
Commuters in Grand Central Terminal will encounter a new obstacle to making the train on time this week: 30 dancing horses.
It’s part of “Heard NY,” a site-specific performance by the Chicago artist Nick Cave, in collaboration with dancers from the Ailey School. Mr. Cave, known for his Soundsuits— costumelike sculptures that make noise as they move — has created the life-size horses out of colorful raffia. Each fits two dancers and rustles like a corn field when the herd “grazes” in Vanderbilt Hall or suddenly breaks into choreography, set to live percussion, steps from the main concourse.
The idea was to produce a dreamlike vision worth stopping for, Mr. Cave said, as people are rushing through the terminal. “You’re stopped in your tracks,” he said, “and then you do get on the train and you get home. How do you share this, how do you describe — just imagine, coming into Grand Central and you run into 30 horses? That’s when it becomes this transformative moment.”
From The New York Times, via @LauraTitian.