In a mix of artistry, geometry, and technology, San Francisco-based Earthscape artist Andres Amador creates massive sketches in the beach sand – sometimes geometric, and sometimes more abstract and serendipitous – using rakes and ropes. The designs are temporary; where the waves don’t wash away his work, walking beach visitors and the wind will naturally muddy and dissolve the precise lines.
Amador has become keenly aware of how impermanent his work is, and has embraced nature’s tidal rhythm, starting one hour before low tide and continuing to work until an hour afterward. In this KQED Arts video, he explains:
People are really… they’re enthralled that i would do something that is destined to wash away. That really strikes a chord with people because really, truly, it’s the story of our lives. Our lives are impermanent, and the tide is unstoppable.
And though this art form is tied directly to nature, Amador makes great use of modern technology. The designs can be both checked and appreciated-in-full from high above the beach using a remote controlled helicopter.
Juan Fontanive makes films without using light. Often recycling the mechanical parts of found clocks and pushbikes as the portable containers of his ‘animations’. His interest lies in the beauty of sequential and repetitive movement… Pages fall in neat layers in the manner of a paper fountain, somewhere between film and sculpture - there is no ‘screen’ as such.
Inspired by the water and brush calligraphy of older artists in his local Beijing parks, Hanna converted a Beijing tricycle, called a san lun che, to digitally “paint” (or more accurately drip) Chinese characters onto the sidewalk. The characters write out Dongcheng District Propaganda phrases that are on banners and housing developments in the district.
The trike would catch quite a bit of attention in the streets, as seen in these two 2011 videos by Jonah Kessel. According to Kessel, the tricycle drips:
营造 未成年人健康成长的良好环境 Create a good environment for minors to grow up healthy
文明从脚下起步 奉献从身边做起 Civilization comes from every individual, to contribute from every little thing
树文明新风 做文明市民 Be a civilized citizen and build a civilized new atmosphere for constructing s cultured and civilized city
共建文明城区 共享美好家园 Build a civilized city for everyone to share a beautiful home altogether
做文明有礼北京人 建和谐魅力新东城 Be civilized and polite Beijingers, to build a harmonious charm new Dong Cheng district together
美德贵在坚持 文明重在行动 Virtue shows through long term persistence, civilization reflects by actions
和谐东城 你我共建 Harmonious Dong Cheng District constructed by you and me
建全国文明城区 做东城文明市民 Constructs the national civilized district, to be the civilized citizen of Dong Cheng District
The project was first shown at Beijing Design Week in 2011. Hanna now lives in Los Angeles where he works as an artist and designer.
Wet clay on a spinning potter’s wheel transforms with every turn in this improvisational form of art. The video runs a bit long at 15m24s, but the kids still wanted to include it here thanks to the hypnotic patterns that made us want our own potter’s wheel.
They started experimenting with paper cut shadow boxes in 2010 with hand painted watercolor paper which was then cut and assembled in a wooden box to create a diorama, with years of practice their art became more intricate and minimal at the same time. They started experimenting with lights and simplified their pieces by losing the colored aspect of the paper. They have since then evolved to add their own style of paper cut art incorporating back-lit light boxes using flexible LED strip lights.